skip to main
|
skip to sidebar
(re)sonance
Thursday, January 7, 2010
politically innocent art
There is no politically innocent art, and this is doubly true of entertainment.
No comments:
Post a Comment
Newer Post
Older Post
Home
Subscribe to:
Post Comments (Atom)
Blog Archive
▼
2010
(76)
▼
January
(76)
commodity alienation
event of appropriation
jitterbugs
parametric intensity
kinesthetic response-process
affective figuration
epistomelogical specificity
metaphorical enterprise
semiomorphic resonance
The Wagner event
reduced listening
Antony Gormley
privileged discipline
morphic resonance
possibilities
politically innocent art
onto-theological presence
emotional effects of music
productive mis-hearings
materials of music
modulation of point of view
the Schoenberg event
symbolic representation
critique of music in music
style is substance
shut up and dance
purity of tone
The optical
Cameras
material reality of subjectivity
proximity of social power
musica ficta
de-territorialization of the ear
omega point
To listen
deep listening
non-eventful minimalism
structured through resonance
synaesthetic impulse
atonal pop
haptic empathy
relations among intervals
synchronization of affect
magical properties
sound theorists
creative appropriation
the inhuman within the human
Surrealist photograph
rhythmic uniformity
’68
narrative investment
techno porn
Jerome Bel
Cartesian subject
becoming machine
arts organizations
digital mediation
subjectivizing move
Attali’s “noise”
sock hop
the theoretical subject
Stockhausen and Ritter
Zielinski’s Varientology
The Magic Flute
post-traumatic subject
Musical pedagogy
escape time?
supplemental dimension
space to time
Pop music proper
moment of Baroque music
Vernacular music
Developmental music
musical philosophy
70s structuralist filmmaking
sinusoidal potential
►
2008
(1)
►
April
(1)
About Me
pprice
View my complete profile
No comments:
Post a Comment